Twelve Carat Toothache Review: “The only thing I want to do is just be honest,” Post Malone said in an Apple Music interview with Zane Lowe. With his fourth album, ‘Twelve Carat Toothache,’ he opens up about his personal struggles without sacrificing the quality of the music. The tattooed superstar’s most recent Album, the eclectic ‘Hollywood’s Bleeding,’ was released in 2019, and this one is a wonderful follow-up.
A year after his previous album, which dealt with the vultures that follow individuals who achieve success in Los Angeles, the record’s author is now turning his attention inward to the consequences of fame on himself and the various demons he’s faced in his life. Love / Hate Letter To Alcohol, which features Fleet Foxes, is the album’s most candid look at the star’s connection with alcohol. You’re the only thing that can make me forget how miserable I am, despite the fact that you’re the reason I got my ass kicked. A sparse beat and strings serve as a percussive base as he sings of waking up with missing teeth after nights gone wrong due to drinking.
‘One Right Now,’ the Weeknd-assisted lead single from Post Malone’s anxiously awaited fourth studio album ‘Twelve Carat Toothache,’ was released six months after Post Malone’s tenth Hot 100 top ten hits. Following the success of ‘Hollywood’s Bleeding,’ Malone’s 14-song follow-up album features Doja Cat, Roddy Ricch, and Gunna, among others, and is nominated for a Grammy for Album of the Year. As the anticipation for ‘Twelve’ grows, check out the album on Apple Music and Spotify and tell us if you think it’s up to the task.
A shot was fired, followed by another, and so on
In a seemingly simple line, he sighs, referring to drinking, punching, and being punched. I swung for his eye and f*cking fell out of my chair. “Behold, a sober moment/All too rare”: “I should crack one open/To celebrate being clean.” The fundamental theme of “When I’m Alone,” which takes a different approach, is betraying an ex-partner. In an attempt to excuse himself, he says, “All I wanted was a little decent on the side.” Because my baby found out, I’m now staying in a hotel and living in a hotel.”
The 26-year-old communicates regrets and his current state of mind over heaving beats and synthesizers. A lifeline is sorely needed, “How do you spend your time?” “He lets out a gasp. “I’ve spent 99 nights trying to figure out what I’m thinking right now / Even though I’m famous, my life is still bleak.” Throughout the album, Post’s lyrics on the piano-led opener ‘Reputation,’ in which he appears to rail against the expectations and demands of fans and the industry (“Take my own life just to save yours / Drink it all down just to throw it up. I got a reputation, that I can’t deny / You’re the superstar, entertain us”), are echoed.
A realistic portrayal of what it’s like to be loved by many people but unable to love oneself. When he sings, “Let me choke on my cigarettes and heavy debt,” at one point in the song, he yells out, “It’s a pity that I was born.” There are several passages in ‘Twelve Carat Toothache’ that seem to relate to Post’s relationship with himself, but it’s not all doom and gloom. “Wasting Angels,” according to Kid Laroi, is an ode to life and the human spirit’s ability to battle “no matter what” in the face of tragedy. He says in a chorus of choir-like backing vocals, “I should acknowledge I need a little something to get me through the day,”
He makes a personal revelation on path to feeling happier:
“I should acknowledge I need a little something to get me through the day.” In ‘I Like You (A Happier Song),’ Doja Cat’s brilliant lyric puts an end to personal struggles and concentrates on a crush. This song, on the other hand, contains Post’s biggest error on the album: casual misogyny in current music. “Now that I’m famous, I’ve got hoes all over me,” he boasts. “However, I’m in desperate need of a good female companion, someone to keep me grounded.”
The issue isn’t just that women are referred to as “hoes,” but also that the star falls into the Madonna-versus-whore dichotomy, emphasizing the difference between a promiscuous woman and a “good” woman. While it’s true that many other artists are doing the same, this isn’t an excuse for Post to get on board and avoid criticism. When it comes to music, things are much better. The emphasis of this album is on sparse, basic sounds that are somewhere between hip-hop and alt-pop. ‘Lemon Tree’ has forceful piano stabs that parallel the heaviness of the song’s lyrics, while ‘Waiting For A Miracle’ shows a return to Fleet Foxes’ folky sound.
Furthermore, in terms of sound, ‘Insane’ is one of the album’s most intriguing pieces, with racing bass and compelling rhythms supporting its creator’s lust-filled, desperation-tinged yells. Despite its occasional antiquated attitude and light filler material, ‘Twelve Carat Toothache’ is a huge step forward for Post Malone. He succeeds in delivering his truth in a way that is singularly, inimitably his with this record. Following his recent comments about rediscovering happiness, Post Malone’s life appears to be on the mend. With his current album, he accomplishes exactly what I believe he was sent to this earth to do: educate people about new musical genres with his typical blend of captivating humor and sensitivity.
Recommendation based on the factors below:
We all have the ability to selectively recall information as humans. Many people would tell you that they’ve always known Post Malone was the real deal… As a result, they were aware that a man named White Iverson, who recorded the song “White Iverson,” would go on to become one of the best performers in the world. Post Malone’s growth as a person, songwriter, and performer, all of which contributed to the album’s success, is reflected in Twelve Carat Toothache. The album, which is set to include the already-released single “One Right Now” starring the Weeknd, is his follow-up to the critically acclaimed Hollywood’s Bleeding, which was published in 2019.
“Wow,” “Circles,” “Enemies,” and “Allergic” are among the album’s Grammy-nominated tunes.
I’m serious when I say I have no idea what section of this album is my favorite. I enjoy Post Malone’s vocal performances on it, but I also enjoy the melodies he provides, the wide range of instruments he works with, his vulnerable lyrics, the erratic but superstar-laden guest appearances, and his overall enthusiasm for the music he creates. Twelve Carat Toothache is a work of art that will make you cry, laugh, dance, and recall your past. While frolicking through the album, you’ll find yourself falling in love with songs that weren’t designed for you and bookmarking music that perfectly fits your mood and circumstances.
It will also be a shorter album, according to the singer. “Trying to cram 20 to 25 tunes in there isn’t going to work,” Post Malone said. “Talking to the label, they say, ‘Oh, if you have fewer songs, you won’t stream as much,’ but the key is that you don’t want to sacrifice your art or your instincts on anything.” I’ve made a lot of sacrifices, particularly musically, but I no longer feel compelled to do so. I don’t require a Number One; it is no longer vital to me, though it was once.”
