Montserrat Caballé Net Worth: Montserrat Caballé is an operatic soprano worth $30 million. Montserrat Caballé was born in Barcelona, Spain, on April 12, 1933. Her parents feared losing her at birth and promised to name her after the famous Catalan abbey of Montserrat if she lived. She joined the Conservatorio del Liceo in Barcelona when she was eight years old. She received the Liceo’s Gold Medal in 1954.
Caballé made her stage debut in Madrid’s El Pesebre (The Manger). In Italy, she was cast in little roles. After one of the major singers became ill, Caballé took over the role of Mim in Puccini’s La Bohème. This led to leading roles in The Magic Flute, Tosca, Ada, Marta in Eugene d’Albert’s Tiefland, and Arabella, Chrysothemis in Richard Strauss’s Richard (Elektra). Violetta in La Traviata, Tatiana in Yevgeny Onegin, Armida and Rusalka in Dvorák’s Armida, and Marie in Berg’s Wozzeck were among her many parts. In Parsifal, she made her La Scala debut as a Flower Maiden.
She became one of the major figures in the rebirth of interest in Bellini and Donizetti’s bel canto operas when she stood in for an ailing Marilyn Horne in a concert performance of Donizetti’s Lucrezia Borgia in April 1965. Caballé had legendary performances as Elizabeth I (Roberto Devereaux) and Mary Queen of Scots (Maria Stuarda) in the films Elizabeth I and Mary Queen of Scots. CABALLÉ HAS ALSO HAD UNUSUAL EXPERIENCES. She is well known for her work with Queen’s late Freddie Mercury, who composed Exercises in Free Love just for her.
About Biography
She was included on his chart-topping single Barcelona. This album, as well as its lead single, was a big success. Throughout her career, Caballé has recorded a wide range of works, including entire operas and recitals. Montserrat Caballé has specialized in Verdi’s major dramatic roles. Caballé, M. Montserrat’s Mara Bibiana Concepción Caballé I Folch (12 April 1933 – 6 October 2018) was a Spanish actress who lived from 1933 to 2018. She performed in a wide range of roles but is most known as a Verdi type and a bel canto collection performer.
Doodle by M. Caballé
Today, April 12, 2022, the M. Caballé Google Doodle celebrated its 12th birthday. She made her Carnegie Hall debut in Donizetti’s Lucrezia Borgia in 1965, followed by appearances in various theatres. Her voice was regarded as pure, powerful, and possessing divine vocal tonal and pianissimo control. Caballé became a household name in 1987 when she performed “Barcelona” for the International Olympic Committee in two-part harmony with Freddie Mercury. For her work, she has garnered various international honors including Grammy Awards.
Caballé, M. Early childhood development, and education
M. Caballé Caballé was born on April 12, 1933, in Barcelona. Her family was poor as a result of the Civil War. At the Liceu Conservatory, she studied singing with Napoleone Annovazzi, Eugenia Kemény, and Conchita Bada. She received a gold diploma in 1954. She afterward moved to Basel, Switzerland, where she made her professional debut as Mim in Puccini’s La bohème in 1956. She was essential to the Basel Opera between 1957 and 1959, singing Mozart (Erste Dame in Die Zauberflöte) and Strauss (Salome) in German, which astonished Spanish singers but benefited her future commitment to the Bremen Opera (1959-1962).
In 1961, she played Gluck’s Iphigénie en Tauride at Lisbon’s National Theater of S. Carlos with Raymond Wolansky, Jean Cox, Paul Schöffler, and others. In 1962, Caballé returned to Barcelona to play the main role in Strauss’ Arabella at the Liceu. She performed in Mexico from October 1962 to March 1963, singing the lead in Massenet’s Manon at the Palacio de Bellas Artes. Then, in 1963, he had even more success at the Liceu.
Achieving Global Success
In 1965, Caballé received 25-minute thunderous applause for a semi-organized performance of Donizetti’s Lucrezia Borgia at Carnegie Hall in New York. Despite the fact that this was her first commitment to a bel canto production and she only had a month to learn the trade, her performance put her on the show’s global map. Caballé then sang her first Marschallin in Strauss’ Der Rosenkavalier and Countess Almaviva in Mozart’s Le nozze di Figaro at the Glyndebourne Festival. She returned to Carnegie Hall in December 1965 to play Queen Elizabeth I in Donizetti’s recently discovered Roberto Devereux.
Caballé made her Metropolitan Opera debut as Marguerite in Gounod’s Faust on December 22, 1965, opposite John Alexander, Justino Dáz as Méphistophélès, and Sherrill Milnes as Valentin. After making her American debut in Giordano’s Andrea Chénier with the Philadelphia Lyric Opera Company in 1966, Caballé made her Italian debut at the Maggio Musicale Fiorentino in Verdi’s Il poet, followed by Bellini’s Il Pirata in 1967. Caballé made his Verona debut in a Jean Vilar production of Verdi’s Don Carlo in 1969. She starred alongside Plácido Domingo and Piero Cappuccilli in the film Elisabetta of Valois. She also appeared in Verona’s Teatro Corallo at the same time.
Caballé first appeared at La Scala in 1970 as Lucrezia Borgia. She made her Met debut as Amelia in a critically acclaimed staging of Verdi’s Un Ballo in Maschera, with Domingo and Reri Grist. Violetta was in her role at both Covent Garden and the Lyric Opera of Chicago in 1972. In the same year, she performed Norma in Philadelphia and returned to the Met as Elisabetta in Don Carlo alongside Franco Corelli. She returned to Chicago in 1973 to co-star with Viorica Cortez in Donizetti’s Maria Stuarda, but she had to depart due to phlebitis. Her final appearance was at Chicago’s Lyric Opera.
She had recovered and was back on stage by mid-1975
Caballé made her Met debut in 1976, performing Aida alongside Robert Nagy as Radamès and Marilyn Horne as Amneris. She co-starred with Luciano Pavarotti as Rodolfo in Richard Strauss’ Ariadne auf Naxos and Puccini’s La bohème. Caballé made his debut as Turandot with the San Francisco Opera in 1977. Over the next ten years, she returned to that house ten more times, playing Elvira in Verdi’s Ernani and leading parts in La Gioconda, Semiramide, and Tosca, among others.
When the situation asked for it, Caballé, who was a little less radiant and vocally endowed, delivered more outstanding expressive singing. Tosca in San Francisco with Pavarotti, Norma in Madrid, and Adriana Lecouvreur in New York opposite José Carreras. In the 1980s, she returned to the Met, appearing in Tosca (1980, 1985) and Elisabetta (1985), as well as singing in 1981 and 1983. She performed Tosca at the Met in October 1985, opposite Pavarotti as Cavaradossi and Cornell MacNeil as Scarpia. Her precision, control, and power were commended throughout her performance. Miguel Fleta’s stirring pianissimos, her brilliant tactics, and her vocal tones garnered her respect.
Caballé, Montserrat’s Ancestors
On August 14, 1964, Caballé married Spanish soprano Bernabé Mart (1928-2022). Montserrat Mart, their daughter, is also an operatic soprano.
Cause of Death
Caballé suffered a stroke in Yekaterinburg on October 20, 2012, and was transported to Barcelona’s Hospital de Sant Pau. In September 2018, her gallbladder was treated at an emergency facility. She passed away on October 6, 2018, at the age of 85. There was no mention of a cause of death. Caballé was labeled “the most elite” by Spain’s King Felipe VI, and she was dubbed “the amazing diplomat of Spain” by Pedro Sánchez.
